

All of Nolan’s Batman movies were heavily pro-cop. Watch TDK again: the day is saved by illegal surveillance, and Batman faces no consequences for using it.
All of Nolan’s Batman movies were heavily pro-cop. Watch TDK again: the day is saved by illegal surveillance, and Batman faces no consequences for using it.
Assassins Creed
For the uninitiated, this is based on a game series with the premise of people in the modern day using a simulation to relive the memories of their ancestors. And in every day, the modern day is the frame story that sucks and the real, cool story is the simulation.
So of course they made the crappy frame story like 90% of the movie and it sucked. Obviously it’s hard to capture the entire feel of a game on film, but what they could have done is had the entire movie in the past and actually focused on telling a good story, and then revealed it was a simulation right before the credits. Heck, they could have just stolen the ending from Assassins Creed 2 and then cut to modern day Callum with a setup for a sequel.
Instead we got an entirely forgettable film.
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You don’t say?
Saw X. A lot of people say it’s their favorite after the original, but I’m not sure I agree. The opening trap that made the poster being a dream sequence felt off, and the final act (where Saw films are usually strongest) felt underwhelming. Also, Amanda was quite visibly older despite this being a prequel to a 20 year old movie, which I found distracting.
It’s still a good 7/10 for having some of the more brutal and memorable traps in the series.